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occasional musings of my obsession with metal

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Tipping?  Is it required?

9/30/2013

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Week 4- Part 1



Apparently it is required of me.  This isn't a situation of whether or not to leave 15% or 20% after your delicious dinner.  It's a save your ring or lose the stone kinda situation.  I know re-tipping ring settings is pretty standard basic bench repair knowledge but I never really was interested.  Seemed tedious and fiddly.  With a clean, simple approach (ha! The New Approach!) it really was easy and actually a good exercise in evaluating and problem solving.  I know a worn tip or prong when I see one.  Figuring out the best way to repair it was new for me.  I actually ended up enjoying the process and it will not bore me in the future when I help rescue rings.
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Various types of re tipping or prong repair. And the finished results.

Part two of week four coming tomorrow!  Stay tuned for the adventures of graduate bench jeweler's school!
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It's about to get real!

9/23/2013

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PictureNew grill selfie :)
Week three, you kicked my ass.  Woah.  That was a rough road we traveled this week.  Tears were shed, tantrums were thrown, frustrations took over.  But we all made it through the battle and all are better jewelers for it.

It is amazing what some of the students who have never picked up a saw frame or even a file can do after just three weeks.  It's really incredible and wonderful to experience.  Blaine is our Miyagi, our Mickey or our Morpheus.  The confidence gained through the program is very empowering. 

Then he gave us a test... Well, you have to gauge progress some how, don't you?  Oh deer-in-the-headlights.






Beginning of Week Three

We started off the week with bead setting and channel setting round stones into bands.  Bead setting was quite the challenge but actually came together pretty well.  It's so much simpler to learn with huge screens showing you a step by step process broken down into parts.  It takes away the fear of too much information all at once and then trying to repeat it at your bench.  Blaine's approach to channel setting was a simple and clean technique that I have done a little before the program but not with the control he teaches.  The little things make all the difference.  It's in the details.  It really is.
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Bezel setting came in between bead setting styles.  This technique is explained in great detail on Blaine's DVDs.  I learned a lot of my stone setting from these DVDs.  They are a very clear and descriptive way to learn bezel setting and flush setting.  Learning in class was similar to the video but on steroids.  Blaine teaches this in the Stone Setting Comprehensive week long class. 

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Mid Week Three- Bead Setting Style 2

Here is where it started to get real for me.  This is the beast that kicked my ass this week.  I understood and felt good about bead setting the traditional method. (Style 1)  I understood bead setting Style 2 (Style 2 = Fancy Pants Style.)  Putting into practice was the difficult part.  Graver control is key.  I was swerving all over the road.  I could have easily gotten a DUI the way I was driving that graver.  Sigh.  I went home that day all frustrated, exhausted and a little bit pissed that I couldn't get it right away. 

End of Week Three

The next day, I came in determined to get it right.  Before I could even get in another practice stone, we jumped right into milgraining the edges after some minor shaping and clean up.  Milgraining is a beautiful thing.  It adds a little beaded rim to frame your bead set stone.  (It also is a wonderful concealer to hide blemishes that never seem to go away.)  It is done with a tiny little wheel that reminds me of a ravioli or pastry wheel just on a micro level.  It makes your stones pop, stand out and elegance to the piece.  I've used it before but not with bead setting.  I will be using it more often in my work as the look appeals to me.
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The week is rolling along with it's own set of troubles and then it happenened.  We were surprised with a test.  But not on what we have been working on all week but something we learned in week two.  That was a thousand years ago!!  The pressure!  We were challenged with replacing a head on a solitaire ring and resetting the stone.  Ok, breathe.  Just unsolder and put it back together with the new one.  Well, this ring is not soldered, it's laser welded and we have to cut it out.  Now it got interesting.  We weren't supposed to ask questions or share info with each other.  I struggled through but remembered to just step back and examine what is at hand.  With some brief calming exercises, I tackled the task successfully in the end.  

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My projects from week 1 through week 3.
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My awesome bench neighbor, Nick, and his collage of projects. Check out his amazing wire wrapping! www.noyesdesigns.etsy.com

Whew!  With that behind us we dove into chain repair, a non-stressful repeat of the solitaire exercise, and a little sneak peek at ingot making closed out the week.  I know I was ready for the weekend.  Week three, you were quite the evil little beast but I know I am better for having gone through you.  Margarita time!  Off to celebrate my beautiful little girl, Ruby, turning 9.  Wow.  How does that happen? 

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Rolling Along into Week Two- Part 2

9/21/2013

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Woo Hoo!  Stone setting!  Something about setting stones is always exciting!  It's like you are putting the heart into the piece.  The part that makes it alive.  The spark that lights up the jewelry.  Needless to say, I was glad to jump right into this section.  I know that I have been approaching my setting with only partial knowledge, as most all of my stone setting knowledge has been self taught through books. Or by me pestering my generous goldsmith/metalsmith friends to no end.
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Gypsy setting beginnings.

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Flush setting practice.


We started with gypsy setting and flush setting.  Both I use regularly in my work.  While I struggled through the first few, I realized that I need to dial it back a step to really listen to what was being taught.  After a few more, making adjustments in how I had been tackling it, the new found approach became second nature.  Something I thought would be a no-brainer, took me a few tries to realize I needed to refine my current process to make for a better set stone.  Correct my depth, watch my burnisher angle and make a tight bearing. 

Moving quickly along to solitaire prong setting, Blaine directed us through bur control, angle alignment, vector tightening and the finer details that separate the average goldsmiths from the great goldsmiths.  Tiny adjustments can make a world of difference.  It is in the details, but the details don't really take that long.  They can make a huge impact visually.

I received a package of my work back this weekend from a gallery that unfortunately closed it's doors.  So many things I missed or just glazed over.  Not that any of it was horrible, just not what I want to pass as ok anymore.  Oh the humanity!!!  Naw, now I can see the little things that can make a difference in the overall appearance.  Next week starts bead setting!!  I've never done it before.  This should be an interesting ride...Hang on!  It's gonna get bumpy!

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Two weeks worth of projects and tool making.
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Here we go...

9/18/2013

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Design transfer and pierce work.

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Sanding, filing and shaping.

As week one closes of the Graduate Bench Jewelers Program at New Approach School for Jewelers, I am amazed at how much I have actually learned.  These are all skills I had coming into the program: sawing, filing, piercing.  However, I now do them much more efficiently and logically while viewing the techniques with a new appreciation of the process. 

With a new approach (ha! pun intended) to holding my saw frame, my files and flex shaft, I gained a new control over techniques that I have never experienced before this program. 

Death grip on the saw frame no more.  Three gentle fingers give me better control over the frame and blade action.  Files can actually be used in the backwards motion. Who knew?  I was previously taught it would clog my files and ruin the "teeth" if I ran a file back and forth over a surface.  I am not really finding that "rule" to be true.  The flex shaft actually seemed to be the biggest eye opener.  I held the flex shaft in a "potato peeler" grip for most operations.  I have now learned that a pencil grip will give me better control and smaller fine motor control.  I certainly did not think that putting my finger on the shaft of a bur (while running!) was a good idea before this week.   Now, I can't imagine having the control I need without using it that way.

I really thought I would sail through this week and maybe even be bored. So, so, so not the case.  I gained a whole new level of control and finesse.  Now to break those bad habits...they are already starting to fade. :)

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Rolling Along into Week Two- Part 1

9/18/2013

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PictureFire! Max turning 10.
FIRE!! Yo, yo yo!  Yes, we finally got to play with fire.  The basics of firecoating, flux and soldering all were incorporated into practical use by teaching ring sizing and assembly of heads to shanks.  A refresher in flame types was a good reminder as I often run my flame way too hot. Hence, the melting queen.  Blaine uses Hoover and Strong's flux and it is da' BOMB!  I have been suffering through with Handy Flux and Batterns for years.  Why?  Again.  Why??  This flux actually REMOVES oxidides from the surface when heated.  Never going back.  Nu-uh. Can't make me.

I have sized rings before but have a slight phobia as my first sizing I ever did, didn't go so well...That's another story for another day but it kind of shied me away from sizing for a decade.  Sizing techniques taught this week really made sense and had a certain logic to them that will apply across the board to many styles of rings.

Some solitaire assembly, three stone an shank assembly rounded out the fire section of week two.  Blaine's ability to explain the process in a humorous and witty manner has made the days fly by these past two weeks.  Looking forward to stone setting starting tomorrow!


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Week one projects and part of week two projects.
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New Beginnings

9/16/2013

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PictureRoad Trip pit stop!
Several years ago I heard of a school for jewelers called New Approach School for Jewelers.  I knew a few goldsmiths that had gone through some of the classes and had spoken highly of the school.  I had always dreamed of an opportunity to study in an intensive program really learning all the things I never was taught properly or was self taught half-assed. 

Well, the planets aligned in my favor or maybe I willed it to happen, either way, here I am in Middle Tennessee studying under Blaine Lewis at the New Approach School for Jewelers. 

Luckily, my little family was ready for a change, a new adventure.  We had lived in Oregon for 20 years and loved every minute of it.  (Well, most of every minute...)  We recently moved to Portland, Oregon in 2012 and found we were all having a hard time fitting in.  There were elements we loved but many we found not working for us.  After a little re-con trip in June to Nashville, we packed our bags and headed to Tennessee! 

2300 or so miles later, we landed and settled in to a town 25 minutes south of Nashville called Franklin.  After unpacking the neccesities and getting the kids started in their new school, my new jewelry adventure began! 

The program is 12 weeks long and intensive.  9+ hour days and a ton of material is covered daily.  Some people are starting having no experience at all, some with a little, and then there is me with 20+ years of mismash experience and learning that has led to bad habits and work that could be at a higher level than it currently is residing. 

I propose (insert attempt) to chronicle the program week by week sharing my thoughts, fears, and progress as I climb my way through the Graduate Bench Jewelers Program.  I hope you will take a peek over my shoulder and share my adventure at the bench. 

Edit:
A lack of internet for three and a half weeks, I am posting my first few posts this week to catch up.



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Jam packed driving!
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Well, at least we are protected!
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    Renee Ford

    Metalsmithing maven and mind behind Renee Ford Metals.  I make the plain look interesting with fire, hammers & cool tools.


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All jewelry is handmade in Franklin, Tennessee, just south of Nashville.  I use recycled, responsibly sourced metals + gemstones.  All designs + images are property of
Renee Richards Ford and Renee Ford Metals 2018
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